1 November - 7 December
Drowning World, an exhibition of photographs by Gideon Mendel exploring the human dimension of climate change by focusing on floods across geographical and cultural boundaries, is touring to J1 in Marseille.
The Drowning World project consists of four related series. Rather than a literal depiction of disaster zones, Mendel focuses on the personal impact of flooding to evoke our shared vulnerability to global warming and question our sense of stability in the world.
The series Submerged Portraits are intimate portraits of flood victims. Their poses may seem conventional but their unsettling gazes challenge us to consider their context.
The Floodlines series records the physical incursion of rising water through intimate living quarters and public spaces, presenting a paradox of order and calm within chaos.
Watermarks is a series consisting of enlargements of flood-damaged personal snapshots, sometimes anonymous flotsam fished from the water or mud, sometimes given by homeowners.
Through floods, chemical interaction with water—ironically, essential to developing photographs— Mendel has transformed these private moments into metaphors of our exposure to environmental disorder.
Tideline presents this collection as a framed archive of archaeological memory.
The video component of Drowning World, The Water Chapters, explores the tension between the frozen photographic moment and the perpetual movement and uncertainty of dystopian, post-flood environments.
Since 2007, Mendel has documented floods in 13 countries: the UK (2007 & 2014), India (2007 & 2014), Haiti (2008), Pakistan (2010), Australia (2011), Thailand (2011), Nigeria (2012), Germany (2013), Philippines (2013), Brazil (2015), Bangladesh (2015), the USA (2015), and France (2016). Most recently, Mendel spent time in Houston documenting the August 2017 floods.